SCHOLARLY WORK BY GRACE TIFFANY
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BOOKS:
Ed., The Tempest, by William Shakespeare.
Evans Shakespeare Series. NY: Cengage, 2011.
Love's Pilgrimage: The Holy Journey in English Renaissance Literature. Newark: University of Delaware Press, 2006.
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"Love's Pilgrimage"
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Erotic
Beasts and Social Monsters: Shakespeare, Jonson, and Comic Androgyny.
Newark: University of Delaware Press, 1995.
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"Erotic Beasts and
Social Monsters"
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Ed., with Margaret Dupuis. Approaches to Teaching Shakespeare’s
‘The Taming of the Shrew’.
NY: Modern Languages Association. Forthcoming, 2012.
Ed. and intro., Reformations: Religion and Rulership on the Sixteenth-Century
English Stage. Kalamazoo: Medieval Institute Publications, 1998 .
BOOK CHAPTERS:
“Shakespeare, Anti-Gallicism, and the Geneva Bible.” Word
and Rite: The Bible and Ritual in Selected Shakespeare Plays, ed.
E. Beatrice Batson. Cambridge, U.K.: The Scholar’s Press, 2010,
23-44.
“Hamlet, Reconciliation, and the Just State.” Reconciliation
in Selected Shakespearean Dramas, ed. E. Beatrice Batson. Cambridge,
MA: The Scholar’s Press, 2008. 43-67.
“Hamlet and Protestant Aural Theater,” Shakespeare’s
Christianity: The Protestant and Catholic Poetics of Julius Caesar,
Macbeth, and Hamlet, ed. E. Beatrice Batson. Waco, TX:
Baylor U P, 2006, 73-90.
“Borges and Shakespeare, Shakespeare and Borges.” Latin-American
Shakespeares, ed. Bernice Kliman and Rick Santos. NJ: Fairleigh Dickinson
University Press, 2005, 145-65.
“Names in The Merchant of Venice.” The Merchant of Venice,
ed. John and Ellen Mahon. NY: Routledge, 2002. 353-67.
“Calvinist Grace in Shakespeare’s Late Plays.” Selected
Comedies and Late Romances of Shakespeare from a Christian Perspective,
ed. E. Beatrice Batson. NY: Mellen, 2002.
“Eden and the New World in Shakespeare’s The Tempest.”
Critical Essays on the Myth of the American Adam, ed. Viorica
Patea and María Eugenia Díaz-Sanchez. Salamanca: Ediciones
Universidad de Salamanca, 2001. 45-52.
“Elizabethan Constructions of Kingship.” The Iconography
of Power on the Renaissance Stage, ed. György Szönyi &
Rowland Wymer, Papers in English & American Studies, vol. 8.Szeged,
Hungary: Institute of English and American Studies, 2000. 89-116.
“How Revolutionary Is Cross-Cast Shakespeare?" Shakespeare:
Text and Theater, ed. Lois Potter and Arthur Kinney. Newark: U of
Del. P, 1999. 120-35.
ARTICLES:
“Rank, Insults, and Weaponry in Shakespeare’s Second Tetralogy.”
PLL. Forthcoming.
“Law and Self-Interest in The Merchant of Venice.” PLL
42:4 (Fall 2006): 384-400. Reprinted in Bloom’s Modern Critical
Interpretations: The Merchant of Venice, ed. Harold Bloom. NY: Infobase,
2010. 173-185.
“Hamlet, Reconciliation, and the Just State.” Renascence
58:2 (Winter 2005): 111-134.
“Hamlet and Protestant Aural Theater.” Christianity and
Literature 52:3 (Spring 2003): 307-24; republished by Thomson Gale,
2007.
“Shakespeare and Santiago de Compostela.” Renascence
54:2 (Winter 2002): 87-107.
“Calvinist Grace in Shakespeare’s Romances. Christianity
and Literature 49:4 (Summer 2000): 1-25.
"Shakespeare's Dionysian Prince." Renaissance Quarterly
52:2 (Summer 1999): 366-81.
"Puritanism in Comic History: Destabilizing Hierarchy in the Henry
Plays." Shakespeare Studies 26 (1998): 256-87.
"Macbeth, Paternity, and the Anglicization of James I." Studies
in the Humanities 23:2 (Dec. 1996):148-62.
"Doing Much Ado with Undergraduates." Shakespeare
and the Classroom 4:2 (Fall 1996): 68-71.
"Anti-Theatricalism and Revolutionary Desire in Hamlet: The Play
Without the Play." The Upstart Crow 15 (1995): 1-14.
"`That Reason Wonder May Diminish': Shakespeare, Androgyny, and the
Theater Wars." The Huntington Library Quarterly 57:3 (Summer
1994): 213-39.
"Not Saying No: Female Self-Erasure in Troilus and Cressida."
Texas Studies in Literature and Language 35:1 (Spring 1993):
44-56. Repr. in Shakespeare Criticism, ed. M. Lee, L.A.: Gale
Group, 2001.
"Falstaff's False Staff: `Jonsonian' Asexuality in The Merry
Wives of Windsor." Comparative Drama 26:3 (Fall 1992):
254-70. Reprinted in Shakespeare Criticism Yearbook, ed. Joseph Tardiff,
Detroit: Gale Publications, Inc., 1994; and in Shakespearian Criticism,
ed. Dana Barnes, Detroit: Gale Publications, Inc., Winter, 1998.
"Our Mutual Friend in `Eumaeus': Joyce Appropriates Dickens."
Journal of Modern Literature 16:4 (Spring 1990): 643-46.
BOOK AND THEATER
REVIEWS:
Adrian Streete, Protestantism and Drama in Early Modern England.
Forthcoming, Christianity and Literature.
William C. Carroll, ed., Love’s Labor’s Lost, by
William Shakespeare. Forthcoming, English Studies.
Ian McAdam, Magic and Masculinity in Early Modern English Drama.
Forthcoming, 17th- Century News.
Robert Hornback, The English Clown Tradition from the Middle Ages
to Shakespeare. The Shakespeare Quarterly 61:4 (Winter,
2010): 590-592.
Stratford Shakespeare Festival 2009, Bartholomew Fair, in Shakespeare
Newsletter 59:3(279) (Winter 2009-10): 87-88.
Jeanne Addison Roberts. Literary Criticism as Dream Analysis: Essays
on Renaissance and Modern Writers. The Shakespeare Newsletter 59:2,
278 (Fall 2009): 75-76.
Thomas Rist, Revenge Tragedy and the Drama of Commemoration in Early
Modern England. English Studies 90:6 (December, 2009).
A. D. Nuttall, Shakespeare the Thinker. Christianity and Literature
57:3 (2008): 473-76.
Julie Crawford, Marvelous Protestantism: Monstrous Births in Post-Reformation
England. Medieval and Renaissance Drama in England 21 (January, 2008).
Kenneth Gross, Shakespeare’s Noise. Comparative Drama 35:3-4
(Spring 2002): 479-82.
Patrick Cheney, Marlowe's Counterfeit Profession. Comparative Drama
34:1 (Spring, 2000): 121-24.
Frank Whigham, Seizures of the Will in Early Modern English Drama.
17th-Century News 56:3-4 (Fall-Winter 1998): 80-82.
John Kerrigan, Revenge Tragedy: Aeschylus to Armageddon. Comparative
Drama 31:2 (Summer 1997): 326-28.
James Shapiro, Shakespeare and the Jews. Comparative Drama 30:3
(Fall 1996): 415-17.
Alan Dessen, Recovering Shakespeare's Theatrical Vocabulary. Comparative
Drama 29:4 (Winter 1995-96): 532-34.
John Drakakis, ed., New Casebooks: Antony and Cleopatra. The Shakespeare
Newsletter 45:2 (225, Summer 1995): 42.
Marco Mincoff,
Things Supernatural and Causeless, and James Howe, A Buddhist's Shakespeare.
Comparative Drama 29:2 (Summer 1995): 290-94.
Anne Barton, Essays: Mainly Shakespearean. Comparative Drama 28:4
(Winter 1994-95): 539-42.
David Farley-Hills, Shakespeare and the Rival Playwrights: 1600-1606.
Medieval and Renaissance Drama in England (October 1994): 367-71.
Brian Vickers, Appropriating Shakespeare. Comparative Drama 28:2
(Summer 1994): 252-57.
Graham Holderness, Nick Potter, and John Turner, Shakespeare: The
Play of History. Shakespeare Studies 21 (1992): 274-78.
Margaret P. Hannay, ed., Silent but for the Word: Tudor Women as Patrons,
Translators, and Writers of Religious Works. Religion and Literature
20:2 (Summer 1988): 95-97.
VARIA:
Periodical reviews for The Shakespeare Newsletter (quarterly),
1994 through present
Liner notes (with Delfeayo Marsalis), Branford Marsalis's Bloomington,
CBS Records, April 1993
Editor (with Amy Silverman), Brad Blanton, Ph.D. Radical Honesty,
NY: Dell, 1996 (psychology)
Comment, "Forum," PMLA 104:2 (March 1989): 217.