SCHOLARLY
WORK BY GRACE TIFFANY
LOVE'S PILGRIMAGE: THE HOLY JOURNEY IN ENGLISH RENAISSANCE LITERATURE, released in 2006 from the University of Delaware Press
click
to order
"Love's Pilgrimage"
from Amazon.com
Erotic Beasts
and Social Monsters: Shakespeare, Jonson, and Comic Androgyny. 1995
click
to order
"Erotic Beasts and
Social Monsters"
from Amazon.com
"Law
and Self-Interest in The Merchant of Venice," in Papers
in Language and Literature (forthcoming)
Ed., Reformations:
Religion, Rulership, and the Sixteenth-Century English Stage. 1998
“Borges
and Shakespeare, Shakespeare and Borges," Latin-American Shakespeares,
ed. Bernice Kliman and Rick Santos. 2005
“Names in The Merchant of Venice.” In The Merchant
of Venice, ed. John and Ellen Mahon. 2002
“Eden and the New World in Shakespeare’s The Tempest.”
In Critical Essays on the Myth of the American
Adam, ed. Viorica Patea and María Eugenia Díaz-Sanchez.
2001
“Elizabethan Constructions of Kingship.” In The Iconography
of Power on the Renaissance Stage, ed. György Szönyi &
Rowland Wymer, Papers in English & American Studies, vol.
8. 2000
“How Revolutionary Is Cross-Cast Shakespeare?" Shakespeare:
Text and Theater, ed. Lois Potter and Arthur Kinney. 1999
“Hamlet and Protestant Aural Theater.” Christianity and
Literature 52:3 (Spring 2003): 307-24
"Hamlet,
Reconciliation, and the Just State," Renascence 58:2 (Winter
2005)
“Shakespeare and Santiago de Compostela.” Renascence
54:2 (Winter 2002): 87-107
“Calvinist Grace in Shakespeare’s Romances: Upending Tragedy.”
Christianity and Literature 49:4 (Summer 2000): 1-25.
"Shakespeare's Dionysian Prince: Drama, Politics, and the `Athenian'
History Play." Renaissance Quarterly 52:2 (Summer 1999):
366-81
"Puritanism in Comic History: Destabilizing Hierarchy in the Henry
Plays." Shakespeare Studies 26 (1998): 256-87
"Macbeth, Paternity, and the Anglicization of James I." Studies
in the Humanities 23:2 (December 1996): 148-62
"Doing Much Ado with Undergraduates." Shakespeare
and the Classroom 4:2 (Fall 1996): 68-71
"Anti-Theatricalism and Revolutionary Desire in Hamlet:
The Play Without the Play." The Upstart Crow 15 (1995):
1-14
“`That Reason Wonder May Diminish': Shakespeare, Androgyny, and
the Theater Wars." The Huntington Library Quarterly 57:3
(Summer 1994): 213-39
"Not
Saying No: Female Self-Erasure in Troilus and Cressida."
Texas Studies in Literature and Language 35:1 (Spring 1993):
44-56.
"Falstaff's False Staff: `Jonsonian' Asexuality in The Merry
Wives of Windsor. Comparative Drama 26:3 (Fall 1992): 254-70.
"Our Mutual Friend in `Eumaeus': Joyce Appropriates Dickens."
Journal of Modern Literature 16:4 (Spring 1990): 643-46.